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Mcluhan’s definitions of hot and cold

by Earl on August 29, 2011

‘the princess and the prince discuss what is cool and what is hot’ to paraphrase Bob Dylan.

marshall mcluan called logical linear grid media ‘hot,’ and auditory, participatory media like comics and seminars ‘cool’.

i’m not real comfortable with those definitions, even if he did string them out on a continuum.

he did mention that when a medium gets extremely hot or cool, it changes into its opposite. i guess that’s what i’m trying to accomplish with letterpress printing.

aikido is called a non-competitive martial art. it was invented by Morehei Ueshiba. I like to think of it as an example of something that changed into its opposite. not much is known about the inventor’s method, however he did do lots of ice water misogi.

they used to say that if you did enough super yin, expansive substances like sugar, white flour, and drugs you would get really focussed, and yang.

in any case, the cards we’re selling are ‘medium hot’ in mcluhan’s sense of the term, straight up linear, no choice of anything, just the facts ma’am. however there is all this other stuff going on that is by nature indefineable, according to the definition of ‘medium’ in my webster’s seventh new collegiate dictionary. unnameable as beckett would say. stuff that ramps up the hot factor, perhaps, or stretches the experience along the continuum toward cool.

i’ve been experiencing this most of my life, yet continue to find it scientifically indescribeable.

so ya all gotta help me out, please, and record what happens when you get these little hotties. that’s what the comments section is for in the store. if you could record reactions to these cards as you use them, it would really help me a lot.

Earl

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Conceived in Iniquity

by Earl on August 18, 2011

“Hold back the edges of your gowns, Ladies, we are going through hell.” -Allan Ginsburg, preface to ‘Howl’

The black art -Letterpress printing

If you want to spend more time in front of your screen figuring out how to spend less time in front of your screen, go visit my friends Corbett Barr at ThinkTraffic.com and Leo Babauta at ZenHabits.com. They can help you with that.

However, when you manage to tear yourself away from that screen and need to communicate your self, soul, and identity in ways a screen cannot, I can help you with that.

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Consider: Amazon S3 storage is ridiculously cheap (pennies per gig of storage). Seems like the storage aspect of blogging is not going to wilt the environment too awfully bad.

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Post image for Mark Popham business card

Mark Popham business card

by Earl on August 3, 2008

3-1/2″ x 2″ business card printed letterpress, pms 151. Neenah Classic Crest 165-lb cover.

Designed by Mark Popham and printed at Kallemeyn Press, 2008.

   What I really like about this card is the more you look at it the more you see. First, the orange color: orange–at the top of the color wheel–is perhaps the hardest color to handle well, especially in a one-color design. Here, it complements the color of the stock, and as a warmer color recedes from the plane of the paper, and in doing so adds to the feeling of depth of the impression.
   And, on a lighter note, what’s not to like about the silhouette illustration and the latinate “factotum” definition? But these to me are all a set-up for what’s we don’t see in this card–we don’t see any figures! They have to be written in by hand! Anything related to numbers or technology requires the balance of the human hand. Really a masterful, humanizing touch to the experience of handing over a business card!

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Letterpress relief printing.

by Earl on July 29, 2008

Letterpress relief printing at Kallemeyn Press aims to integrate western, mechanical typographical printing techniques and traditions with a global range of original, graphic communication and expression that has a linear structure. All Your Base Are Belong To Us!

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Post image for Deuce Coupe Redux

Deuce Coupe Redux

by Earl on July 28, 2008

We’ve all probably heard “Little Deuce Coupe” at least one too many times, but the car itself still looks good to me. Shot at Autorama in Detroit, 2006. Sure would like to know who came up with the running boards idea.

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Sail Away

by Earl on July 27, 2008

Stephanie Tamez of New York Adornedon Thursday, July 24 at White Box Gallery in New York City. One of twelve tattoists from Lori Levin’s shop doing full-size “body suit” illustrations. The concept of taking tattoo art, and performing it large and live was interesting to watch unfold; the mature talent was impressive. Tattoo and letterpress share a linear structure that is skeletal by nature, the quality of the line is integral to the quality of the finished product.

Check out Body Type by Ina Saltz (isbn 0-8109-7050-3) for more work by Stephanie Tamez; and the relationship of typography (letterpress) and tattoo.

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Post image for Little Deuce Coupe

Little Deuce Coupe

by Earl on July 27, 2008

Brian Darwas of the Rumblers car club on scoring his 1932 Ford 5-window: “isn’t that what anyone would want?” Here’s the immortal silhouette of a 1932 Ford 5-window coupe, printed letterpress business card size.

 

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Post image for Thomas Kurilla business card

Thomas Kurilla business card

by Earl on July 20, 2008

3-1/2″ x 2″ business card printed letterpress, black ink front and back on Gmund Perla 111-lb cover. Original vector line drawing by Thomas Kurilla. Typography in Peignot (designed by A.M. Cassandre, 1939) by Earl Kallemeyn.

There’s been a change in the name of the cover stock; it was originally called Havanna because the line was created with a Cuban reference. It makes me smile a bit to wonder what went down, because now it’s called “Savannah”.
Thankfully, the quality stayed the same. It is a great sheet of paper!
The artist, Thomas Kurilla, and I have been working together to make his artwork and designs for letterpress. This original illustration of the Chrysler Building is the third in a series of Icons of New York. Part of the goal of our collaboration was to create a high quality format for personal business cards that did not require re-inventing the wheel for each client. We’ve created a clean look, with original artwork, that we feel will be appropriate for professionals, especially those with several streams of income.
At a time when the business card is being degraded to the point of being worthless–”free business cards”–we are going in the opposite direction, creating a new kind of business card that has a cool way of enhancing your identity on paper.

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